Tuesday, 23 April 2013

WesterNoir 3, cover image is all sorted.

Well, as promised WesterNoir #3 is the Mermaid issue.
Once again Gary Crutchley has worked his magic on the cover (and pulled the script in all sorts of interesting directions), Andy Bloor has continued with his great design and Matt Soffe has worked wonders on the colouring.

How good does that look...
Gary is well into the book now with all the inking done, he's applying the grey tones and lettering. All coming together really well.
And then it'll be onto book 4, last in the mini-series, I'll say nothing more on that... for now.

Saturday, 13 April 2013


I took a day off work yesterday and took the family on a trip to Stratford Upon Avon. The town is famous as the birthplace of a long deceased writer called William Shakespeare, but more importantly, to me, it is where the Mechanical Art & Design museum is located.
Now I must admit I was a little surprised by the £6.80 fee for entry, and multiple this by two and add a child and it's a sizeable amount. I've been caught out before by museums that promise much and deliver very little. I wasn't going to be put off though so I entered a rather dark room to a world of mechanical sounds.
I was in fact in tinkerers heaven.
There were two floors littered with all forms of mechanical contraption. Most of them did something at the push of a button or were in some form of perpetual activity as ball bearings raced around tracks of wire.
Now I like to build robots from all sorts of salvaged household appliances, and some odd items bought at car boot sales or antique shops (don't tell them though), but the guys who built these machines (on retrospect the word 'contraption's doesn't seem fair) are on a whole different level.
Some of the pieces where some kind of kintec art,
whilst others had strange little creatures manning (or is that flea-ing) exotic craft on some adventure or other.
We spent a good hour in there marvelling at the creativity and effort involved in producing such elaborate structures.
A great way to spend your time and well worth the price of entry.
I believe that they change their exhibits periodically so I'll be back some day to see what else is going on in studios across the globe.
I don't feel so odd now, having seen that others are also out there tinkering away with salvaged bits and pieces.